ISSN: 2012-0311
Volume 8 No. 1, June 2024
TABLE OF CONTENTS
Foreword by Raymond Girard Tan
Introduction by Rhoderick Nuncio
Protecting Copyright in the Age of Digital Technology in the Philippines by Christopher E. Cruz
Creative Artificial Agents, Neuroenhancement, and Epistemic Rights by Kurt Christian B. Tubera and Mark Anthony Dacela
For Artists, By Artists: Understanding the Community Value of the Philippine Artist Alley by Jihan Marie Claire Ferrer
The Meme-ification of Filipino Politics: A Critical Discourse Analysis of Selected Facebook Users’ Political Expression and Participation through PRRD-Related Internet Memes by Alleona Hugo and Cheeno Marlo M. Sayuno
Ink and Identity: Establishing Tattoos as Personal Archives and the Privacy Quandaries by John Louie T. Zabala and Minette R. Vinzon-Co
Cultural Myth Restatement and Conversation in Social Media: The Case of the Viral Digital Photo and Memes of Mt. Mayon Eruption by Crisanto Q. Regadio Jr.
Reflecting on Social Issues with Digital Triptych Art: A Pedagogical Approach by Andylyn M. Simeon
AB Multimedia students’ perception of the use of the ARCS model of motivational design in the open university by Josephine Magsino- Ramos
Faith is Glad Tidings for Melancholy: Selected Philippine University Students’ Conceptualizations of Faith through Visual Images by Jeane C. Peracullo
Teaching History with Technology and its Challenges in the Context of the Current System of Philippine Education by Jose Victor Jimenez and Emmanuel Jeric A. Albela
Tekno-Sining: The Work of Art in the Age of Digital Reproduction
Tekno-Sining: Ang Likhang Sining sa Panahon ng Reproduksyong Digital
This congress seeks to engage in a conversation about the relationship between art and technology, and to foster the innovation of art with technology. In the twenty-first century, the convergence of art, culture, media, design, science and technology has introduced altered ways of perceiving realities. It has ushered in the constructs of new and mixed forms of art through various tools and platforms. What is “art” in the age of digital technology, media convergence and simulacra? How do art and creative expression intersect with technology? How does art reflect on the impact of technology in our daily lives? Is humanity enhanced and augmented through the technology of art? How shall we draw the boundaries between human creation and virtual reality? How does technology enable the spectators to experience an enjoyment of art?
The DLSU Arts Congress Proceedings is an open access journal (ISSN 2012-0311). Articles have undergone a process of preliminary screening and blind peer review. For the previous volumes, see the 16th DAC Proceedings Volume 7 and other volumes/issues.
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